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Rosalie M. Blaul

FACDIS, Summer 2005

 

Advanced Placement Short Story Intensive: Modern Italian Short Fiction

 

Introduction

 

Reading and discussing modern short stories and excerpts from novels in an intensive program with Advanced Placement English Literature students can serve to introduce elements of fiction and literary analysis that will be essential throughout the year.

 

Often honors students have been taught that in both reading and composition length is more important that depth and that simple recall can substitute for questioning, understanding, evaluation and synthesis. As students begin their work in AP, their most important immediate goal is to realize they must now change their approach to literature. Although learning to be more analytical takes time, the skills required are best introduced early in the year. The canon of AP Literature, which includes fiction and nonfiction in translation, emphasizes works “of recognized literary merit” which invite the reader to consider multiple meanings and shades of understanding.

 

This introductory unit presents selected short works by modern Italian authors to enliven and broaden the Advanced Placement curriculum, to establish literary discussion groups, and to ensure that all students have the basic understandings and tools that will be needed as the year progresses. Longer works are noted to supplement the unit.

 

West Virginia Content Standards and Objectives

 

Standard 1: Reading Objectives

 

RLA 12.1.1 Analyze and research historical, cultural, and biographical influence

RLA 12.1.2 Analyze and evaluate author’s choice of genre

RLA 12.1.3 Increase independent reading

RLA 12.1.4 Employ reading strategies for various purposes

RLA 12.1.6 Form supportable conclusions, inferences and generalizations and

interpret character traits

RLA 12.1.8 Expand vocabulary through reading and applying etymologies

RLA 12.1.9 Interpret and evaluate literary devices, especially figurative language

RLA 12.1.10 Analyze and evaluate content, structure, and tone

RLA 12.1.11 Evaluate literary criticism applicable to genre studied

 

Standard 2: Writing Objectives

 

RLA 12.2.1 Employ writing strategies to address specific purposes

RLA 12.2.4 Develop focused compositions with logical progression of ideas

RLA 12.2.5 Use vocabulary that is vivid, precise, and economical

RLA 12.2.6 Use subtle forms of transitional devices

RLA 12.2.11 Refine a personal style and voice in writing

RLA 12.2.12 Correct errors in organization, content, usage, mechanics, and spelling

RLA 12.2.14 Employ a sound notetaking system

RLA 12.2.15 Integrate concepts of intellectual property and plagiarism

RLA 12.2.18 Select appropriate editing strategies

RLA 12.2.19 Correct errors in subject/verb agreement

 

Standard 3: Listening, Speaking, and Viewing

RLA 12.3.1 Adapt and apply speaking skills to participate in a variety of situations

RLA 12.3.3 Master listening, speaking, and viewing by using a variety of techniques

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Literary Terms

 

alliteration

archetype

assonance

conflict

consonance

characterization

climax

close reading

exposition

falling action

figurative language

foreshadowing

imagery

irony (situational, verbal, dramatic)

metaphor

mood

plot structure

point of view (1 st person, 3 rd person, omniscient)

protagonist/antagonist

reader-response theory

resolution/denouement

rising action

semiotics

setting

simile

style

symbol

theme

tone

 

 

Activities

 

close reading and discussion

dialectical study journals

Cornell note-taking instruction

analytical essays as assignments and as in-class timed writings

video clips to support reading and discussion

creative writing: the short story

author research

oral presentations

short research reports following MLA format

 

Sources

 

Calvino, Italo. If on a winter’s night a traveler. Trans. William Weaver. New York: Harcourt, Brace and Co., 1981.

Astonishing experimental novel in ten parts that explores the difficulties of reading and writing. The role of the reader, reader response theory, authorial intent, the craft of writing are opened for discussion.

 

---. Under the Jaguar Sun. Trans. William Weaver. London: Vintage, 1992.

A collection of three short stories, including “Under the Jaguar Sun” which can be read for its passionate imagery and symbolism, and perhaps compared to Like Water for Chocolate. “A King Listens” involves the sense of hearing and the power of silence, while “The Name, the Nose” focuses on scent, and could be companioned with an excerpt from the film, Scent of a Woman.

 

---. Difficult Loves. Trans. William Weaver, et al. San Diego: Harvest/HBJ Book, 1984.

A collection of short stories originally written from 1945 to 1983 and divided here into “Riviera Stories,” Wartime Stories,” “Post-War Stories, and “Stories of Love and Loneliness.” The last, “The Adventure of a Poet,” presents a couple traveling together and an intense sensual revelation that could be compared to “Under the Jaguar Sun.”

 

Dibdin, Michael. Medusa. New York: Pantheon Books, 2003.

Aurelio Zen Mystery set in northern Italy....opening chapter for mood and characterization through setting

 

Eco, Umberto. “ Casablanca, or, the Clichés Are Having a Ball.” Signs of Life in the U.S.A.: Readings on Popular Culture for Writers , Sonia Maasik and Jack Solomon, eds. Boston: Bedford Books, 1994. An essay on the archetypal nature of the film.

 

---. The Name of the Rose. Famous murder mystery set in a 14 th century Italian abbey, also available as a DVD, but renown for its philosophical levels. Imagery, medievalism, and allusion could be taught through selections. Selections from the DVD could also supplement the reading.

 

Jones, Tobias. The Dark Heart of Italy. New York: North Point Press, 2003.

Supplementary background regarding contemporary Italian culture and politics, which upon “publication became the best-selling foreign language book in the nation’s history.”

 

Pirandello, Luigi. “The Soft Touch of Grass.” Short Shorts: An Anthology of the Shortest Stories. Eds. Irving Howe and Ilana Wiener Howe. New York: Bantam, 1982.

Interesting Pirandello short story...characterization from 3rd person limited point of view

 

Roberts, Edgar. V. Writing about Literature. 10 th ed. New Jersey: Prentice Hall, 2003.

Excellent resource for “students who are writing about the elements of literature.” Aspects such as setting, theme, figurative language, and tone are discussed and illustrative examples given.